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|John Libbey Publishing|
Experimental Film in Los Angeles, 1945-1980
Based on the Filmforum Getty Foundation project.
Publication date: 2015
Total pages: 320
ISBN: 978086196 715 5
Price: £ 25.00
The growing recognition that Los Angeles has been the single most
important center for avant-garde, experimental, and minority filmmaking
has provided the ground for a number of recent historiographical,
curatorial, and institutional initiatives. Chief among these was an
extended collaborative project undertaken by the Los Angeles Filmforum,
an independent screening organization that has existed continuously
since 1975, together with the Getty Foundation’s Pacific Standard Time:
Art in L.A. 1945–1980, and the University of Southern California’s
School of Cinematic Arts and its Arts and Humanities Initiative,
“Visions and Voices”. Its first accomplishment was a three-day symposium
featuring scholarly presentations, screenings, and discussions with
filmmakers held at USC in November 2010, followed the next year by a
screening series of some three hundred films and videos, many of them
newly discovered and/ or restored by the Academy of Motion Pictures.
Concurrently Filmforum under- took an archival research project
consisting of nearly forty videotaped and transcribed oral histories
conducted with filmmakers.
Alternative Projections: Experimental Film In Los Angeles, 1945–1980 is a ground-breaking anthology that brings the conference papers together with specifically commissioned essays, an account of the screening series, reprints of historical documents by and about experimental filmmakers in the region, and other rare photographs and ephemera. With contributions from scholars, graduate students, archivists, curators, and filmmakers from three continents, the resulting diverse and multi-voiced collection radically extends film historiography. It is of great importance, not simply for its relevance to Los Angeles, but also for its general discoveries and projections about alternative cinemas.
David E. James is on the faculty of the School of Cinematic Arts
at the University of Southern California. His books include The Most
Typical Avant-Garde: History and Geography of Minor Cinemas in Los
Angeles (University of California Press, 2006). Along with several
collections of essays on avant-garde filmmakers, he edited The Sons
and Daughters of Los: Culture and Community in LA (Temple University
Adam Hyman has been Executive Director and Programmer for Los Angeles Filmforum since 2003. He is also a documentary filmmaker, producing and/or writing a variety of historical and archaeological documentaries that have aired on the PBS, the History Channel, the Learning Channel, and others.